The Whitworth in the Park: Ghost Tree, Sculpture, Gardens and Architecture

A reflective metallic sculpture known as the Ghost Tree rises among real branches in the grounds of the Whitworth Gallery, Manchester, its angular mirrored limbs catching the soft daylight and echoing the surrounding greenery and sky.

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The Whitworth Gallery grounds are far more than a setting for one of Manchester’s most celebrated art galleries. They form an integral part of the visitor experience, bringing together contemporary sculpture, historic trees, seasonal planting, architecture and Whitworth Park.

Following the gallery’s major redevelopment in 2015, the relationship between the building and its landscape became even stronger. The gallery was opened towards the park, the gardens were redesigned and art was deliberately extended beyond the gallery walls.

For visitors exploring the Whitworth Gallery gardens, four features stand out: Anya Gallaccio’s Ghost Tree, Nico Vascellari’s Bus de la Lum, the rich foliage of the Art Garden and the distinctive brickwork inspired by Manchester’s industrial and textile heritage.


The Ghost Tree: The Whitworth’s Iconic Sculpture

A reflective, branching metal sculpture titled the Ghost Tree by Anya Gallaccio stands among real foliage in the grounds of the Whitworth Gallery, Manchester, its mirrored surfaces catching the shifting daylight and echoing the surrounding trees and sky.
Ghost Tree
Anya Gallaccio
The Whitworth Gallery

The most recognisable sculpture in the Whitworth grounds is Anya Gallaccio’s Untitled (2015), better known locally as the Ghost Tree.

The sculpture stands where a tree had been removed during the gallery’s redevelopment. While working on the commission, Gallaccio discovered the missing tree in earlier architectural plans and used it as the starting point for a new artwork.

The original tree was digitally scanned and its form recreated in mirror-finished stainless steel.

Although officially titled Untitled, the work quickly became known as the Ghost Tree. Its reflective surface means it never looks exactly the same.

Blue skies, clouds, sunlight, surrounding trees, winter foliage and the gallery architecture are all reflected in its surface. The sculpture changes with the weather, season and time of day.

This makes the Ghost Tree both a permanent sculpture and a constantly changing part of the landscape.

Anya Gallaccio and Absence

The work reflects themes central to Gallaccio’s practice, including change, disappearance, transformation and time.

Rather than preserving the original living tree, Gallaccio created a permanent representation of something that had disappeared. The sculpture turns absence into presence.

Its polished steel form also contrasts with the mature trees surrounding it, creating a striking dialogue between natural growth and industrial material.


Nico Vascellari’s Bus de la Lum

A dark, rough‑textured bronze sculpture titled Bus de la Lum by Nico Vascellari sits on a concrete plinth within the Whitworth Gallery grounds, its bound, organic forms contrasting with the surrounding grass and open outdoor setting.
Bus de la Lum
Nico Vascellari
The Whitworth Gallery

Another significant work in the grounds is Nico Vascellari’s Bus de la Lum.

The sculpture draws on the artist’s research into the Cansiglio Plateau in northern Italy, a landscape associated with folklore, ancient legends and the violence of the Second World War.

The work’s title refers to a natural cavity known as the “Hall of Light”, a place surrounded by stories of magic and supernatural activity. The wider area was also associated with partisan resistance and wartime violence.

Placed within the peaceful surroundings of the Art Garden, the work introduces darker themes of memory, landscape, violence and loss.

Its position demonstrates how the Whitworth uses its outdoor spaces to present challenging contemporary art in direct conversation with nature.


The Whitworth Art Garden: Foliage and Seasonal Change

A cluster of tall, textured plants and dense greenery fills the frame, the varied foliage of the Whitworth Gallery Art Garden rising against a red‑brick backdrop, with drying flower spikes and small white and purple blooms creating a layered, slightly wild botanical scene.
Foliage
Art Garden
The Whitworth Gallery

The Whitworth Art Garden was created as part of the 2015 redevelopment and designed by renowned landscape designer Sarah Price.

Rather than functioning simply as an ornamental garden, it was conceived as an extension of the museum. Layers of grasses, perennial plants, wildflowers and herbs create a landscape that changes throughout the seasons.

Bluebells, geraniums, mint and thyme contribute colour, texture and scent, while the planting supports local biodiversity. Butterflies, bumblebees and honeybees are among the wildlife attracted to the gardens.

The foliage also plays an important role in the experience of the sculptures.

The Ghost Tree is particularly dependent on its surroundings. Trees, grasses and sky are reflected across its stainless-steel surface, meaning the garden effectively becomes part of the artwork.

In summer, the sculpture may disappear into a reflection of green foliage; in winter, its metallic structure becomes more prominent against the muted landscape.


Whitworth Gallery Brickwork: Manchester’s Industrial Heritage

A red‑brick façade of the Whitworth Gallery fills the scene, its patterned brickwork running beneath a slim metal beam, while leafy branches and berry‑laden foliage frame the architectural detail against a clear blue sky.
Brickwork
Whitworth Gallery Extension
2015

Look closely at the Whitworth Gallery brickwork and another layer of the museum’s history becomes visible.

The contemporary extension was designed to connect with Manchester’s industrial and textile heritage. The Whitworth’s collections include internationally important textiles and wallpapers, making this connection particularly appropriate.

The bespoke brickwork incorporates patterns inspired by seams, stitching, pleating and textile construction. Its tactile surfaces create a visual link between the gallery’s collections and the architecture itself.

The warm red brick complements the historic building, while glazed elements and contemporary detailing distinguish the new architecture.

The design also references the engineering heritage of Sir Joseph Whitworth, the industrialist whose legacy established the gallery. Whitworth was a pioneer of precision engineering and is particularly associated with the standardisation of screw threads.

The architecture therefore connects several aspects of Manchester’s history — engineering, manufacturing, textiles and design.


The Gallery in the Park

The 2015 redevelopment, designed by MUMA, transformed the relationship between the museum and Whitworth Park.

The project increased the gallery’s public space and created stronger connections between the interior and exterior. Large glazed areas provide views into the gardens, while visitors can move naturally between gallery, garden and park.

The result is a museum that feels less like a building beside a park and more like a gallery within the park.

The removal of the former boundary between the gallery and park was an important part of this change. Contemporary gates incorporate laser-cut natural motifs, including leaves and dragonflies, reinforcing the connection between architecture and landscape.


Why Visit the Whitworth Grounds?

The Whitworth Gallery grounds offer several experiences in one place:

  • Art: Discover the Ghost Tree and Bus de la Lum alongside other outdoor works.
  • Nature: Explore seasonal planting, mature trees, wildflowers and urban biodiversity.
  • Architecture: Look closely at the distinctive brickwork and contemporary extension.
  • History: Discover Manchester’s connections to textiles, engineering and manufacturing.
  • Wellbeing: Walk, sit and enjoy the gardens and surrounding park.
  • Community: Take part in outdoor creative, horticultural and family activities.
A softly lit interior staircase frames a well‑considered view of the Art Garden from inside the Whitworth Gallery, where exposed brick, smooth stone and white plaster meet a large window filled with green foliage beyond, blending architectural calm with the garden’s natural vibrancy.
View of the Art Garden
The Whitworth Gallery

Art, Nature and Architecture in Manchester

The strength of the Whitworth grounds lies in the way these elements overlap.

The Ghost Tree reflects the garden around it. The foliage changes the appearance of the sculpture throughout the year. The brickwork connects the contemporary building with Manchester’s industrial and textile history, while Bus de la Lum introduces a distant landscape and complex history into the Art Garden.

The result is a place where art is not confined to four walls.

At the Whitworth, art can be encountered while walking through a garden, studying a piece of brickwork, watching the changing light on stainless steel or simply looking out across the park.

That combination of art, architecture, nature, history and community makes the Whitworth Gallery grounds one of Manchester’s most distinctive cultural spaces.

A small group of people stand in the parkland outside the Whitworth Gallery, gathered around and looking up at the reflective metal panels of the Ghost Tree sculpture, their figures mirrored in its surface amid the surrounding trees and grass.
Looking at the Ghost Tree
The Whitworth Gallery
Manchester

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