Liverpool Central Library Comes Alive for Year of Reading Launch

Flash mob performance by Liverpool City College students at Central Library during Liverpool’s Year of Reading opening celebrations; five dancers in casual athletic wear move in sync while onlookers watch, including a child in a pram and a person filming with a smartphone, set in a bright public space with tiled floors and self-service kiosks.

Liverpool Central Library was transformed into a vibrant performance space on Saturday 24 January 2026, as the city officially launched its Year of Reading with a day-long celebration of poetry, movement, storytelling, and social history.

Opening event for Liverpool’s Year of Reading at Central Library, featuring the Mayor of Liverpool speaking into a microphone beside a display of books and banners including “TAUK Publishing”; the Mayor gestures mid-speech while attendees observe in a vibrant public space lined with bookshelves and signage.
Mayor of Liverpool
Opens Liverpool Year of Reading

The open event brought together an eclectic mix of live performances, interactive stalls, and community-led campaigns, creating an atmosphere that felt both playful and purposeful. At its heart was a shared belief in the power of reading—not just as a solitary act, but as something lived, spoken, danced, and felt.

Modern reading journal with geometric cover design featuring a large circle split maroon and light green, gold icon and “READING JOURNAL” title in uppercase gold text; minimalist aesthetic with rounded corners and color-blocked background in blue and green.
Reading Journal
Circle

Poetry, Homesickness, and Finding Your Voice

Across the afternoon, audiences were treated to performances exploring what it means to live away from home for the first time. Spoken word pieces touched on homesickness, identity, and the emotional dislocation of leaving familiar places, striking a chord with students, newcomers to the city, and long-time Liverpool residents alike.

This was complemented by an array of stalls supporting literacy initiatives, including a growing campaign to establish a dedicated Poetry Library in Liverpool—a proposal that felt particularly fitting given the city’s deep-rooted spoken word culture.

Cover of “The Mersey Sound” 50th Anniversary Edition by Adrian Henri, Roger McGough, and Brian Patten; Penguin Modern Classics poetry collection featuring bold abstract target-style artwork with red, blue, and white concentric circles on a beige background.
The Mersey Sound
50th Anniversary Edition

Joseph Steals the Show

The event closed on a high note with a standout performance from spoken word poet Joseph, who more than lived up to his reputation. With sharp humour and unmistakable Scouse warmth, he delivered pieces celebrating Liverpool dialect, local identity, and the way language shapes how we see ourselves.

His work paid affectionate tribute to Scouse culture, proving that poetry grounded in place can be both deeply personal and universally resonant. It was an electrifying finale that left the audience wanting more.

Cover of “Lern Yerself Scouse” by Frank Shaw, a humorous Liverpool dialect phrasebook with bold yellow title, red subtitle “How to talk proper in Liverpool,” and credits to Fritz Spiegl and Stan Kelly; published by Scouse Press.
Lern Yerself Scouse

Flash Mobs and Unexpected Moments

Throughout the day, visitors were caught off guard by pre-arranged flash mob dancers, including performers from Liverpool City College. These surprise interventions challenged the stereotype of reading as something quiet or passive, turning the library into a space of movement and joyful disruption.

History, Healing, and Storytelling

Adding a powerful historical layer to the programme, speakers from the Liverpool School of Tropical Medicine shared research connected to former prisoners of war returning from South East Asia. Their talk explored long-term medical treatments for infections and hearing loss, as well as early work around what we now recognise as PTSD, decades before it was formally acknowledged.

Visual references to the Bridge over the River Kwai and its bamboo scaffolding offered a striking glimpse into the lived realities behind historical narratives, highlighting how research, memory, and storytelling intertwine.

Interactive “time machine” display created by Liverpool School of Tropical Medicine; features wooden touchscreen boxes, 3D-printed models including ships and seated figures, headphones for audio storytelling, and QR codes for digital content—designed to explore history, science, and global health through tactile and multimedia engagement.
Time Machine created by Liverpool School of Tropical Medicine

A Fitting Start to the Year of Reading

From poetry and dance to medical history and social reflection, the Year of Reading launch showcased Liverpool at its most creative and curious. It was a reminder that reading extends far beyond the page—it lives in voices, bodies, archives, and shared experience.

If this opening event is anything to go by, Liverpool’s Year of Reading promises to be anything but quiet.

Interior of Liverpool Central Library featuring a dramatic circular atrium with a geometric skylight of wooden beams and glass panels; multi-level space with zigzagging staircases, glass railings, and visitors visible throughout the modern architectural design.
Circular Atrium
Liverpool Central Library

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2 responses to “Liverpool Central Library Comes Alive for Year of Reading Launch”

  1. resilientwildly5a99511603 Avatar
    resilientwildly5a99511603

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