Tag: Feminist Art
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January Newsletter
A reflective round-up from alisonlittle.blog bringing together January’s writing, artwork and local cultural coverage — from returning to digital sketching and feminist conceptual practice, to flash fiction, hidden heritage, major Liverpool events, and the continuing campaign to reopen Breck Road Library, alongside new thinking about public art, play and creative space in the city.
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Tracey Emin and Sarah Lucas: The Shop and the Birth of a British Art Legacy
In the mid-1990s, Tracey Emin and Sarah Lucas ran The Shop in Shoreditch, a short-lived but hugely influential space that helped shape late twentieth-century British art. Blurring the lines between art, commerce, and social life, their collaboration became a defining moment of the YBA era and a touchstone for third-wave feminist art.
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Tittle-Tattle: A Feminist Conceptual Artwork by Alison Little
Tittle-Tattle is a feminist conceptual artwork by Alison Little that uses a domestic rolling pin carved with gossip-like statements to expose how women judge one another through cleanliness, homemaking, appearance, and social status, challenging internalised misogyny within the home.
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Tracey Emin and the Silence of Unreported Rape: Class, Race, and Artistic Confession
Tracey Emin’s return to Margate marks a powerful new chapter in her life and art. After surviving cancer, she founded TKE Studios and helped revive the seaside town’s creative scene. Through deeply personal works confronting trauma, class, race, and unreported rape, Emin transforms confession into resilience and art into activism.
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Hear me Roar
Artist Alison Little presented a powerful feminist art proposal for Hear Me Roar Festival in Lancaster (March 2016). Her concept used found objects to create a visceral installation exploring sexual violence, trauma, and resilience. Through symbolic materials such as polythene, gravel, and rusty nails, the work challenged audiences to confront difficult truths and raised awareness…
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