Can People Escape the Neurophoria? – A Powerful AI & Digital Art Exhibition at FACT Liverpool

Installation featuring a white sculptural form created by Bassam Issa Al‑Sabah, shaped like outstretched wings illuminated by red light, with a vertical digital screen behind it displaying a soft, ethereal image in pink and purple tones.

FACT Liverpool, the city’s leading new-media arts centre in the heart of Liverpool, is currently hosting a thought-provoking exhibition that places artificial intelligence, digital identity and human choice at the centre of the contemporary art conversation.

Can People Escape the Neurophoria? brings together immersive installations and screen-based artworks that explore how we live, feel and make decisions alongside algorithms in today’s digital landscape.

Dimly lit installation featuring a reclining sculptural form by Bassam Issa Al‑Sabah, shown with an elongated arm holding a beaded chain, surrounded by other surreal figures and red‑pink atmospheric lighting.
Bassam Issa Al‑Sabah

A new media exhibition exploring AI, identity and human choice

Presented across the first-floor gallery, the exhibition asks a simple but urgent question:

Can people really escape the digital systems shaping our lives?

Through interactive environments, digital characters and large-scale installations, the exhibition explores:

  • Our relationship with artificial intelligence
  • How technology influences behaviour and emotion
  • The tension between human decision-making and automated systems
  • The future of digital identity
Cover of Radical Technologies: The Design of Everyday Life by Adam Greenfield, featuring bold white typography on a black background with subtle abstract shapes. Includes a Guardian quote praising the book as ‘a tremendously intelligent and stylish book.
Radical Technologies
The Design of Everyday Life

Vytas Jankauskas – Life Forever

One of the standout works in the exhibition is Life Forever by Vytas Jankauskas.

This striking screen-based narrative invites visitors into a surreal and emotional digital experience. Viewers are asked to reflect on what it might feel like to exist as something entirely different — even as a jellyfish-like digital being.

By drawing on the sensation of vulnerability and transformation, the work reminds us that:

Being stung, reacting, and feeling is what makes us human — not a machine.

The artwork becomes a quiet meditation on empathy, digital embodiment and what separates artificial intelligence from lived experience.

Interactive installation featuring Vytas Jankauskas’ Life Forever, showing a seated visitor facing a large screen with a VR‑wearing figure, above a lit water tank on a platform with cushions and tubing, all set within blue and purple ambient lighting.
Life Forever
Vytas Jankauskas

Bassam Issa Al-Sabah – An immersive sculptural landscape

On the ground floor, Bassam Issa Al-Sabah brings the space dramatically to life with a large-scale immersive sculptural installation.

The environment is made up of:

  • Rotating sculptural forms
  • Shifting light and colour
  • Projected and screen-based elements

The installation surrounds visitors in a constantly changing digital and physical landscape. As the sculptures rotate and the lighting evolves, the work creates a powerful sense of movement, transformation and technological atmosphere.

Walking into the installation is described by many visitors as breathtaking — a moment where digital art and physical space merge seamlessly.


Gallery installation for Nina Davies’ Meet Me in the Digital Twin, featuring three illuminated mannequin torsos against a reflective metallic backdrop with red lighting, pendant lamps overhead, and exhibition text displayed on the adjacent wall.
Meet Me in the Digital Twin
Nina Davies

Nina Davies – Meet Me in the Digital Twin

Nina Davies’ installation offers one of the most emotionally moving contributions to the exhibition.

Created in collaboration with three young people from Clatterbridge Cancer Centre, Meet That in the Digital Twin explores the confusion, uncertainty and emotional complexity of going through cancer treatment.

Together, the group created three digital characters — imagined as their possible digital twins — who could exist and survive in a future world.

The installation gently examines:

  • Digital identity
  • Resilience and imagination
  • How technology can become a tool for storytelling and emotional expression

It is a powerful reminder that digital art can be deeply personal as well as technologically innovative.

Cover of Resisting AI: An Anti‑Fascist Approach to Artificial Intelligence by Dan McQuillan, featuring bold white and yellow typography on a dark blue background with abstract light‑blue digital network patterns.
Resisting AI
An Anti‑Fascist Approach

Why you should visit FACT Liverpool

This exhibition is ideal for anyone interested in:

  • AI and emerging technology
  • immersive and interactive art
  • digital storytelling
  • the future of identity and creativity

By combining large-scale installations with intimate, narrative-driven works, the exhibition demonstrates why FACT remains one of the UK’s leading centres for media art.

Exterior view of the FACT building in Liverpool, showing its curved grey‑tiled façade with large white signage reading FACT, Gallery, and Cinema above a blue‑framed entrance.
Fact
Liverpool

Exhibition details

Exhibition: Can People Escape the Neurophoria?
Venue: FACT Liverpool – the city’s leading new-media art centre
Location: Liverpool city centre

Main exhibition runs until:
26 April 2026

Selected artist installations run until:

  • Bassam Issa Al-Sabah – until 22 February 2026
  • Nina Davies – until 22 February 2026

(Please check individual gallery listings at FACT for the latest schedule.)


Final thoughts

Can People Escape the Neurophoria? is more than a digital art exhibition — it is a timely and immersive exploration of how artificial intelligence, technology and human emotion are increasingly intertwined.

If you want to experience some of the most forward-thinking contemporary digital art in the UK, this exhibition at FACT Liverpool is well worth a visit.

“Dark, red‑lit installation featuring a sculptural form by Bassam Issa Al‑Sabah in the foreground, shown as a distorted torso with a chain draped over it, surrounded by surreal figures and digital screens with vivid abstract imagery.
Bassam Issa Al‑Sabah

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