A City of Imagination: Could Liverpool Create a Yellow Submarine Art Park?

A vibrant Beatles-themed playpark at Bramley-Moore Docks features a large Yellow Submarine sculpture covered in multicolored mosaic tiles. Three tunnel slides—red, blue, and yellow—extend from the submarine’s windows. Cartoon portraits of The Beatles are displayed on the side. Children are actively playing: one slides down, another climbs a fish-shaped mosaic structure, and others explore a Beatles-themed archway and dome. The rubberized ground is patterned in bright wavy colours. In the background, red brick warehouses and a tall chimney line the dockside under a cloudy sky.

Liverpool is a city shaped by imagination, music, and social creativity. From The Beatles to ambitious regeneration projects, it has long fused culture with everyday life. One compelling idea now worth serious consideration is whether Liverpool could create a Yellow Submarine–inspired art play park—a place where public art, sustainable design, and storytelling come together for both local communities and visitors.

To understand what’s possible, we can look to global precedents where art, play, and resilience intersect.

A vibrant Beatles-themed playpark at Bramley-Moore Docks features a large Yellow Submarine sculpture covered in multicolored mosaic tiles. Three tunnel slides—red, blue, and yellow—extend from the submarine’s windows. Cartoon portraits of The Beatles are displayed on the side. Children are actively playing: one slides down, another climbs a fish-shaped mosaic structure, and others explore a Beatles-themed archway and dome. The rubberized ground is patterned in bright wavy colours. In the background, red brick warehouses and a tall chimney line the dockside under a cloudy sky.
Yellow Submarine

Literary and Artistic Roots: From Gulliver to Alice

Gulliver Park – Valencia, Spain

In Valencia, Gulliver Park transforms Jonathan Swift’s Gulliver’s Travels into a monumental playscape. A giant Gulliver lies stretched across the park while children climb his limbs, slide down his body, and explore the story physically. It’s a powerful example of how literature can become immersive, inclusive public space.

Alice in Wonderland: From Daresbury to Kyiv

Lewis Carroll, author of Alice’s Adventures in Wonderland, spent much of his childhood in Daresbury, Cheshire, just outside Liverpool. The landscapes of the Mersey region and rural Cheshire are widely believed to have influenced the dreamlike logic and surreal imagery of Alice’s world. This gives Liverpool and its surrounding areas a genuine literary connection to one of the most influential fantasy works in history.

That connection echoes powerfully in Landscape Alley (Peyzazhna Aleya) in Kyiv, Ukraine—a public art and play space inspired by Alice in Wonderland. Designed with whimsical mosaics, sculptural creatures, and interactive forms, it has long been a beloved playground for children and families.


Landscape Alley and War: Play as Resilience

While Landscape Alley has not been a primary military target, it has nevertheless been affected by the war in Ukraine. According to multiple reports from 2022–2025, the area has suffered:

  • Damage from nearby missile strikes, particularly those impacting adjacent areas such as Shevchenko Park
  • Ongoing wear, disrepair, and reduced maintenance due to wartime pressures
  • A decline in overall appeal and visitor numbers

Yet, despite this, children continue to play there. Some who began playing at Landscape Alley when Russia first invaded have now outgrown the playscape. This persistence has turned the park into something more than a playground—it has become a symbol of hope, continuity, and everyday life continuing amid conflict.

For Liverpool, this is a reminder that play parks are not trivial amenities. They can become emotional anchors for communities.


Monster Slides and Bold Art: Niki de Saint Phalle’s Golem

In Jerusalem, Niki de Saint Phalle’s Golem demonstrates another model of artistic play. Children enter slides through the mouth of a brightly coloured monster sculpture, blending slight menace with humour and joy. It proves that public art doesn’t have to be passive—it can be climbed, entered, and experienced.

Want to re-create a Niki de Saint Phalle playscape at home? Zonky do some great ranges to get you started.

Young child playing in a colorful playroom with teal modular foam blocks shaped like a vehicle, accented by Zonky buttons—soft, tactile connectors ideal for creative building and safe imaginative play. Background includes diverse children’s books, alphabet décor, and toy shelves—perfect for listings of sensory play furniture, early learning tools, or inclusive nursery accessories.
Zonky Buttons

Sustainable Inspiration: Scrap Tyre Play Parks in Africa

A crucial question for any contemporary project is material choice. In today’s climate-conscious culture, fibreglass sculptures may no longer be the right answer.

Across parts of Africa, innovative play parks have been created almost entirely from scrap tyres, discarded timber, and reused materials. These spaces are:

  • Extremely durable and safe
  • Low-cost and community-built
  • Environmentally responsible
  • Rich in creativity and tactile play

Tyres are stacked, buried, woven, and sculpted to form climbing towers, tunnels, seating, and soft-impact surfaces. These parks show that sustainability doesn’t limit imagination—it can expand it.

A Liverpool Yellow Submarine play park could draw directly from this approach, combining bold artistic vision with recycled, long-lasting materials.

Bring home Yellow Submarine in this new paperback picture book edition, beautifully presenting the film’s vibrant visuals and timeless, humorous tale—an ideal purchase for Beatles fans of every generation.

Illustrated Beatles Yellow Submarine 50th Anniversary publication featuring cartoon-style portraits of the band, psychedelic landscape, whimsical characters, and bold “THE BEATLES Yellow Submarine” text—ideal for music memorabilia, retro art prints, or collectible merchandise listings.
Yellow Submarine

Why a Yellow Submarine Play Park Works for Liverpool

The Beatles’ Yellow Submarine is one of Liverpool’s most globally recognised cultural symbols. A thoughtfully commissioned play park could:

  • Celebrate Liverpool’s music heritage in a child-focused, playful way
  • Attract international attention for positive cultural reasons
  • Serve local families first, while remaining a must-see destination
  • Become a landmark comparable to Park Güell in Barcelona

The goal would not be nostalgia alone, but living culture—a place where children physically explore imagination.

Think you know everything there is to know about The Beatles? The Beatles Story reveals rare treasures and surprising facts that even lifelong fans may not have discovered.

Arriving at The Beatles Story museum in Liverpool, visitors are greeted by a historic red brick building with arched windows and a bold circular sign featuring the faces of John, Paul, George, and Ringo. Below the sign, “THE BEATLES STORY LIVERPOOL” is displayed in crisp white lettering on the wall. The entrance evokes the city’s dockside heritage, with a red metal structure to the right hinting at its maritime past. The museum promises an immersive journey into the legacy of The Beatles, set against the backdrop of Liverpool’s iconic waterfront.
The Beatles Story

Location, Regeneration, and Equity

A potential location could be north of the city, linked to regeneration around Everton Football Club’s new stadium at Bramley-Moore Dock and the wider docklands renewal. Positioned well, the park could:

  • Support regeneration without exclusion
  • Provide year-round activity beyond match days
  • Connect football, music, art, and public life

But key questions must be addressed:

  • Should it be free and publicly owned?
  • Should funding be offset by the new tourism tax under debate?
  • How do we ensure nearby food, kiosks, and activities remain affordable—so a family day out doesn’t mean £20+ just on ice creams?
A cheerful yellow ice cream stall with soft rounded edges stands near a Beatles-themed swing park at Bramley-Moore Docks. The stall features a curved roof, a striped yellow-and-white awning, and a chalkboard menu with playful hand-drawn lettering. A vendor in a red apron serves ice cream cones to smiling children. The rubberized ground beneath is patterned in gentle waves of yellow and cream. In the background, mosaic-covered swings and the large Yellow Submarine play structure are visible, along with red brick warehouses and calm dockside water under a cloudy sky.
Ice Cream Stall

Performance, Music, and the Future

An outdoor performance space, similar to early proposals for the Everton site, could transform the park into a cultural stage. New bands could perform at the opening ceremony, spotlighting Liverpool’s ongoing music scene—not just its past.

Could Paul McCartney or other cultural figures be involved in commissioning, consultation, or symbolic endorsement? Even limited involvement would amplify global attention while grounding the project in authenticity.


A Liverpool Equivalent of Park Güell?

Barcelona has Gaudí. Liverpool has its own creative spirit. With the right artist or collective, the city could create a fantastical landscape as visually striking as Park Güell, but rooted in play, sustainability, and community rather than tourism alone.

This would not be imitation—it would be Liverpool expressing itself.

Want to know more about Park Güell, The complete works of Gaudi is a great place to start.

Cover of “GAUDÍ: The Complete Works” by Rainer Zerbst, published by TASCHEN, featuring two vibrant mosaic-covered conical structures designed by Antoni Gaudí against a clear blue sky—ideal for listings of architecture books, art monographs, or collectible coffee table editions.
GAUDÍ: The Complete Works

Final Reflection

A Yellow Submarine art play park could be:

  • A sustainable public artwork
  • A community-first regeneration anchor
  • A symbol of joy, resilience, and imagination

From Daresbury’s Alice, to Kyiv’s resilience, to African scrap tyre ingenuity, the influences already exist. The question now is whether Liverpool is ready to bring them together—and imagine boldly once again.

An outdoor performance space at Bramley-Moore Docks features a raised circular stage with swirling mosaic patterns in red, blue, yellow, and green. A large Yellow Submarine sculpture sits behind the stage, covered in vibrant mosaic tiles with colorful portholes and a tall periscope. A Beatles tribute band performs on stage—four musicians dressed in retro outfits playing guitars, bass, and drums. Behind them, a mosaic mural reads “ALL YOU NEED IS LOVE” with stylized portraits of the Beatles. The dockside setting includes calm water, a black metal fence, and red brick warehouses under a cloudy sky.
Performance Space

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